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Interviews
Stockholm
Published
byMartin Lindahl
What happens to our dreams of life, love, and the future when reality takes a different turn? Sometimes we grieve not only what we have lost, but also the life that never unfolded as we imagined. When I meet Ward Hayden and Greg Hall ahead of their concert at Debaser, our conversation about friendship, Springsteen, and the new album *Forever Homesick* becomes a story of longing, reconciliation, and finding a sense of home in an ever-changing world. And of music’s ability to put into words feelings we have yet to fully understand ourselves.
Live reviews
29 September, 2026
Uppsala
Published
byPär Dahlerus
When Ward Hayden & The Outliers return to Klubb Uffe at Katalin, it feels like a kind of homecoming. The Boston-based band has played at Katalin several times before, and they truly feel at home here. The evening before, they had landed in Sweden following an 11-day tour of Italy. The five-piece band delivers a high-energy performance for nearly two hours in front of a highly enthusiastic crowd.
Live reviews
28 September, 2026
Stockholm
Published
byEric Dahlerus
After years of silence, Manchester’s WU LYF made a triumphant return at Nalen in Stockholm. Blending old "Heavy Pop" classics with new material—and taking spontaneous song requests right from the crowd—the band delivered a raw, intimate, and unforgettable show.
Live reviews
7 September, 2026
Stockholm
Published
byMartin Lindahl
Sahara Hotnights brought plenty of energy to Mosebacketerrassen, but the bass-heavy sound mix often left the vocals and guitars lacking clarity. The set, lasting just over an hour, was performed to a relatively sparse and noticeably older audience, suggesting that the band’s return has yet to attract a significant new generation of listeners.
Live reviews
8 September, 2026
Stockholm
Published
byPär Dahlerus
The Waterboys scored an instant knockout when they visited Stockholm on Tuesday evening as part of their Fisherman's Blues Revue tour. On this tour, the band is also joined by former member Steve Wickham on fiddle, as well as Roar Øien on pedal steel. The concert was divided into two halves. After the interval, Steve Earle also joined them—a collaboration that proved to be a winning concept.




